© Francesco Albano, 35 kg , 2009 http://albanofrancesco.blogspot.com
Francesco Albano or dissolutions physical
by George Festa
Like a trophy ocher. Distended to the filaments, weaving full and empty. Here was the man. Reduced to a carcass exhibited. The collapse of proportion. Excessive chest. Obscenity sex. Tunic of Nessus or stage costume. Get rid of the conventions. The envelope interchangeably. Me or you. Ligaments cascade, open bite, unusual burdens. In this molding earth pressures invisible. Majors. Epure mummified. Last pennant.
Amulet series - Self Portrait , September 2, 2010
You decide to file. On this garment is improvised. Wedding Clay wrinkles and finitude. The body relapsed. Headless, dismembered. Daily parades. Or how to get rid of the flesh. To distance. Finally in this between ourselves. Dialogue with the outside appearance. But prepaid aboveground. Vacant souls. In this test the breakaway volume flow deformation. Metamorphoses. Have been invited. Soon another.
Amulet series - Self Portrait , October 25, 2010
gagged plastic chair. With curved legs. Like a broken courtesan pardons. Become this mass of clay. Compacted under the weight. Hollowed, twisted. Tendrils of identity searching the imperceptible, the viscous. Ribcage releasing its viscera. Genitality Nodal. Protestor me. Arms and legs missing. Plastic base. Wrinkled, obscuring the ruins. Physical union of two furniture. Who exchange their shapes. Eat them.
Amulet series - Selfportrait , June 6, 2010
The body collapsed. Crashing into his chair, as straddles a prie-dieu. Tension leg. The foot braced. Voluntary disappearance. That plays obstacles. Overflow of a moment of forgetfulness. Or enjoyment. Recollect. Gravities tangible, elusive. Back tortured or abandonment. Drawing his introductory geography. Because there invitation. Ritual. You think being married. Occupy space. In fact the reverse. Slow revenge. Nuptials.
When everyday WAS Thursday, October 2010
legs and back. Viewed from the rear. Over two trestles. Headless, arm missing. Line of the buttocks, conservation of flesh. New strain. Outlook unclear. Enlarged pool. The lovers in the window. That summarize the body, hold. Manual labor. Curvature such as grain. Our codes reversed. Belly paradoxical. Unpublished pubis. Whatever you do. In these hollows, these lines. At any time éploie. See, excretions. Furniture Eros.
Body, October 2010
Skeleton milky pink. Exhibited between two glass walls. Brick terraces to the four angles. Head pillow, which arises from a stump lips. Fusion genesis. Trunk insect launching its mandibles. Mollusc of the abyss. Where mineralization leads. Silent orbits. Moving beneath the basin. Since you have no name. They have long forgotten. Trample the void. Resume form. Petrifactions bright. Slow reconquest.
La ragione genera mostri , August 2010
The three versions of abandonment. Curled up, picked up, exhausted. Cuts, agglutination. In what we have more equipment, heavy. The words are below. The others wait. Bestiary gluteal, dorsal. Amortized at the edge of a table. Heavy shoulders. Fecal body. For in this alliance of land and water. Pending. The final sketches. Interrupted construction. Sleep logic. The body of a disaster. Caught in mid lava. Occupy the narrative.
Boşalmak [Blank], July 2010
Pentaptyque mannequins. Between canopies and cushions are agitated body hangers. Since everything has been denied. Transvestite bruised. Asexual silhouettes, white tinged with brown. As unearthed. Render tribute. Clothing discounts. Enlargements, ossification. Thou hast walked, danced. Missing. In these catacombs daily. Where to sell illusions and double. Deify the precarious scrap. Absolve the unnamed, the crack. Our five postulates.
Cinque pezzi facili , November 2009
Back to basics. Or how to revisit our academies. Red and pale yellow of an obscure Golden Age. Frustrated, defeated. The stacks monarchy. In which everything collapses. In summary, the zoo animal. Subject of laughter, ignorance. Which were focused on all threats. Wrong leg. Creases tree. Human effort. Bottleneck. Foreskin or stalagmite. Vanity Fair. The last witness. Decapitated.
The shovel del nano di Velasquez, 2009
Stand. Bending the neck. Scars of the back. Chest and stomach cascade. That overlooks a candle penis. Halos and algorithms. The secret ciphers. Reached the threshold. Feet too ashamed to have eagerly awaited. Folded. All these crowds vanished. Breakfast places. Tsavet Danem. Mutilation, scars. Offering. One last dance. Having experienced so many suns. Braved the blades. And if all this was that Parade Thurs. Giving. Me, you, us.
35 kg , August 2009
© georges festa - 02.2011
Born in Italy, Francesco Albano lives and works in Istanbul.
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